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Millwork can transform your home into a palace. Find out how.
an interview with Steve Cherry
Tuesday, March 14, 2006
Lancaster, PA -- The Pennsylvania Dutch Country is an area long revered for its craftsmanship and attention to detail in cabinetry. Steve Cherry owns a boutique cabinet shop in its very heart, Cherry Style, and he brings a little more to the table: inspired design. Here is our interview with him to discover what goes into making those elaborate fireplaces, sculpted closets, and chiseled doorways
Question: What is the most
challenging part of millwork?
Steve Cherry: Making it fit (laughs). You spend countless hours carefully
crafting these elaborate pieces, and by the end you are praying that all your
measurements in the beginning were right.
Practically, it can be a challenge
to bring people’s vision for their house to life. Unless you work from
scratch, spaces don’t always lay out conveniently. The room is already
divided by walls, windows, and doorways - and defined by the exiting casing
and trim. Trying to make a piece look symmetrical when the window on one side
is larger than the other is very tricky.
Because it is so important that everything ties together with the existing
house, we draw everything full size in the shop. Then the actual construction
is a known quantity, you don’t have to worry about it, you just make what
you’ve drawn
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Question: Full size drawings?
Where do you do them?
Cherry: We do a life-size floor plan on the floor, and then full size
elevations on the walls. We literally recreate the room inside our shop, so
we can see how the design elements are balancing. Laying out a library can take
four days of prep work before a single piece of wood is touched.
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Question: That’s a
lot of work!
Cherry: It is, but the goal in the end for most millwork is to make it
look like it has always been there – like it grew out of the house naturally.
That takes exacting detail and a fine touch.
Question: How long does
it take to finish once the design is done?
Cherry: If it is possible, we get the work done at the convenience of
our clients. Realistically, a big walnut library takes 2-3 weeks planning, 4-5
weeks of construction, and a least another month installing. Finally, a finisher
has to come in and complete the look. For a simple built in bookshelf it can
be done in 3 days: I build it, Kim paints it, and it is installed the next day.
The complexity of the project dictates everything.
Question: What inspired
you to do millwork?
Cherry: We started in furniture, and millwork and furniture aren’t
too far apart. Some of our customers wanted millwork done, we did it, they liked
it, and we have ended up doing more.
One of the things you can say about millwork is, if you are thinking about "dressing up" your living room, you can get as much drama from millwork as you could with an expensive painting. For $5,000-$10,000 you can turn that fireplace into something that is architecturally "Wow!" Many people don't think of architecture for giving a room its presence, but that's really what sets a room a part, not just the Italian sofa with the grey furniture.
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Question: So millwork is
the undiscovered art of home improvement?
Cherry: Absolutely. A French library we did in Philadelphia was installed
in a very nice room of an expensive home on the Mainline. It had plaster walls,
wood floors, everything. We installed the library with fake beams along the
ceiling. By the time we were done it looked like an expensive home had been
imported directly from Southern France. Sometimes millwork can create a whole
world inside a house, a special feel, a space that has its own magic.
Question: I never realized
you could do that with millwork.
Cherry: Most people don’t. In the 70s and 80s there really wasn’t
much architectural millwork, people just forgot what it could do. The 90s was
all about large pieces, but not very sophisticated. With the recent resurgence
of architectural design, we’ve looked for ways to innovate and bring a
fresh look. We are one of the few places that will do unusual things with millwork,
like incorporating died woods, geometric shapes, and a modern look. That tends
to be a rarity amongst millwork designers.
Question: Where can you
use millwork for dramatic effect?
Cherry: Doorways, entertainment centers, built in pantries, bathrooms,
kitchens, hoods over corbels, pediments over range hoods, ceiling beams, moldings
that blend into ceiling panels, cofferd ceilings. There are so many possibilities.
The key to remember is, the design really decides whether the piece looks high-end
or not. If you are doing a stair case with stock balusters, it could be perfectly
carved, but without a heavier baluster it’s not going to have that majestic
look, that presence. We’ve applied our experience as furniture designers
to millwork so you can get that old world elegance and grandeur with a contemporary
twist.
(For more advice on a custom millwork for your home, contact Steve or Kim Cherry at 877-522-5887)
about the authors | |
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Steve & Kim Cherry are a husband and wife design team providing creative and
logical solutions to improve people's lives in the orbit of their homes.
They craft beautiful woodwork by integrating their clients' personal tastes
into unique expression of art. 877-522-5887 | Learn More... |
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